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And while you can’t go outside, at least here’s a reason to want to stay in. All three artists are doing the thing they do best, giving the song a timeless durability. The vintage R&B notes add a sensualness to the sex. More inspired is having Ashanti play off a sample of her 2002 cut “Baby” on the chorus.
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In that way, Baby and Meg, who originally collaborated on “Cash Shit,” is an obvious marriage. 90S baby Songs Download- Listen to 90S baby songs MP3 free online.
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The album is full of lascivious lines-it’s Baby, after all-but the sexual apex comes on the penultimate track, “NASTY.” Where Baby’s lyrics about women are often one-sided, on “NASTY” he re-teams with Megan Thee Stallion, who is more than his match when it comes to dirty talk (him: “She like when I pull it out and I put it all over her ass cheeks” her: “I put one leg on the headboard and leave the other leg on the mattress”). There’s plenty of pleasure to be taken purely from Baby’s theatrics-“JUMP” is another high-flying vault-but the greatest pleasure on BLAME IT ON BABY comes when the young playboy gets carnal. “Bitch, you know I turn piss into lemonade / Turn shit into sugar, that's chocolate pudding,” off “CAN’T STOP,” is a personal favorite. On early tracks like “PICK UP,” “LIGHTSKIN SHIT,” and “TALK ABOUT IT,” he sticks to his winning formula: turning out clever rhymes about sex and stunting in the consistent rhythm of a healthy EKG.
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The 28-year-old hops along like the Energizer Bunny, recapturing the same zippy vibrancy of last year’s Baby On Baby and KIRK.įans of Baby’s ear-crossing vocal dribbling will find plenty to like on BLAME IT ON BABY.
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The opening track is titled “CAN’T STOP,” and whether he can or can’t, he doesn’t. BLAME IT ON BABY is the recently minted superstar’s third album in 13 months-each a tight 13 tracks-and on it, he shows no signs of fatigue.
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But most impressively, DaBaby is indefatigable. He’s a nimble spitter, whose trademark delivery emerges in rapid, springy jabs. With the major sports leagues on indefinite hiatus, listening to DaBaby rap proves to be the next best thing. Thankfully, though, rather than reflect the moment in his new music, Baby provides a brief diversion. Its cover is blue, and it features a face-masked DaBaby looking down, dejected. If there is anything at all to blame DaBaby for, it’s the much-appreciated sense of normalcy that hearing a song like “TALK ABOUT IT”-where he brags about being nominated for a Grammy and draping his daughter in designer jewelry-might provide for hip-hop fans in the moment.DaBaby’s new album, BLAME IT ON BABY, has the look of a quarantine album (an emergent genre, for better or worse).
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In fact, BLAME IT ON BABY features an all-star list of collaborators including Quavo, Future, A Boogie wit da Hoodie, Roddy Ricch, YoungBoy Never Broke Again, and even early-aughts R&B princess Ashanti. Which is not to say that he’s any more in love with his own voice than his contemporaries. At the time of BLAME IT ON BABY’s release, DaBaby appeared on six separate songs within Apple Music’s influential Rap Life playlist this is clearly a man who stays in the studio. BLAME IT ON BABY, then-his first project of 2020 (2019 brought us two, along with an inordinate amount of guest verses)-is DaBaby forging onward despite a year marked by the inescapable calamity of the COVID-19 pandemic. The Charlotte MC turned himself into a bona fide superstar through a combination of near ubiquitousness and unprecedented consistency in the fun-to-bar ratio of his verses. As far as hip-hop is concerned, 2019 was near unanimously the year of DaBaby.